I’m at The Beverly Hilton on the red carpet soaking in the madness on the red carpet of the 75th Golden Globes Awards. Honestly, I don’t know how and why I continue to be asked to cover this event. But, I am so thankful, because the organized chaos of an awards show held at a hotel (instead of a traditional theatre venue) is something you should experience at least once. What’s it like? Take a look…

Most of you already know that the red carpet was painted black in a fashion sea of protests and Oprah practically announced her presidential candidacy with her powerful speech and Time’s Up was the theme of the politically charged night. But, as you know, all of the real fun happens off camera, including Tom Hanks making sure the martinis were served on point and over $20 million of jewelry and watches were worn last night.

Hanks, the four-time Golden Globe winner, impressively played waiter for his crew, delivering a tray of martinis while winding his way through the crowd.

As always there is a no-photo rule in the International Ballroom, but the Rock arrived and everyone wanted to smell what he was cooking. Dwayne Johnson, whose sixteen-year-old daughter Simone Garcia Johnson was this year’s Golden Globes Ambassador, had a posse of followers eager to breaks the photo rule. Looking extra handsome with his salt-and-pepper goatee and super white teeth obliged all.

The Rock with his daughter, Simone Garcia Johnson, and Thor (Chris Hemsworth)

If you saw the sea of black on the red carpet you know that most of the actresses in attendance signed on to the Time’s Up initiative. Their unity hit the forefront away from the cameras after Natalie Portman announced “the all-male nominees” for best director. Kerry Washington pumped her arms and gave a high-five to Eva Longoria who was sitting right next to her. Speaking of which…

Kerry Washington vamps at the after parties while Debra Messing and Eva Longoria look on.

Yes, it was a tough night to be a guy at the 75th Golden Globes. Women were abundantly vocal about harassment and their fight for gender parity*, however men were mostly quiet. Host Seth Meyers was a noteworthy exception, acknowledging that a white man may not have been the perfect host for the movement but filling his monologue with enough self-deprecation and righteous barbs to ease any concerns – or maybe he had some smart writers. Otherwise, mum was the word for men about the subject, with their biggest statements made in the form of fashionable lapel pins.

(*) I mean multiple Academy Award nominee Michelle Williams received less than 1% of Mark Wahlberg’s paycheck for reshoots of their film All the Money in the World. Yikes!

“I want to give room to the women that don’t normally have voices to talk about their sexual assault and rape and I’m listening. They need to know that it’s not their fault and they’re not dirty and that’s my message tonight.” –Viola Davis

The Feud Continues? When Jennifer Aniston appeared onstage, all eyes were on the Friends icon. Well, all except two, it seems. Seated at a table near the stage, Angelina Jolie appeared to look down and ignore Aniston as she presented an award. Super Awkward. 

Golden Globes Gallery

Alexi Ashe with hubby Seth Meyers on the carpet.

Jessica Chastain and Octavia Spencer have a Help reunion.

Justin Timberlake and Jessica Biel retained their throne a Hollywood’s Royal Couple.

Backstage, us writers in the press room had access to buckets of beer on ice.

Obi-Wan, er, Ewan McGregor, won for his role in Fargo.

Elisabeth Moss won for The Handmaid’s Tale while Connie Britton wore a $380 “Poverty is Sexist” sweater.

Penelope Cruz always dazzles.

Michelle Williams (right) with civil rights advocate Tarana Burke who started the #MeToo movement.

My tix to the show!

The post Eavesdropping at the 2018 Golden Globes appeared first on Media Guy Struggles.

Last one from this year’s Oscars (I promise)…here’s a little story I did that was picked up nationally…

Leo wins the big one.

The Oscars take an awards ceremony and elevates it to a level that all other events can only dream of; at least on television. More people watch television than go to movies, especially now with movie prices nearing twenty dollars. The levels of fashion, the A-listers, and the venue all combine to deliver nearly a billion sets of eyeballs to the ABC telecast of the show. Here we go backstage and show you the life of a reporter behind the scenes.

The 88th Academy Awards telecast was a unique experience from the get-go because of the entire diversity / #OscarsSoWhite issue that plagued the usual positive vibe that the promise of a golden, 8.5 pound, 24K statuette will usually deliver. The tone started on the unusually muted tone of the red carpet and continued all night. The diversity issued was imbued throughout the evening and into the press room.

Host Chris Rock

All of the reporters that were in attendance were literally on the edge of our seats. We simply didn’t know where the issue was going to take us. Oscars telecast host, Chris Rock, made no public statement after the controversy broke out and stayed silent all the way through to curtains up on the telecast. The controversy heightened on the speculation he was going to address it, gloss over it, or maybe make a serious statement and move on. Turns out, he hit the ground running and it was a full throttle assault on the controversy…

• “Man, I counted at least 15 black people on that montage. I’m here at the Academy Awards, otherwise known as the White People’s Choice Awards.”
• “This is the wildest, craziest Oscars to ever host, because we’ve got all this controversy. No, no black nominees, you know, and people are like ‘Chris, you should boycott. Chris, you should quit. You should quit.’ How come there’s only unemployed people that tell you to quit something, you know? No one with a job ever tells you to quit.”
• “It’s the 88th Academy Awards. It’s the 88th Academy Awards, which means this whole no black nominees thing has happened at least 71 other times. O.K.?”
• “…in the 50s, in the 60s … we had real things to protest at the time, you know? We had real things to protest; you know, we’re too busy being raped and lynched to care about who won best cinematographer. You know, when your grandmother’s swinging from a tree, it’s really hard to care about best documentary foreign short.”
• …and on he went, a 14-minute monologue and every word had to do with diversity.

There was a very tangible impact from the controversy that spread to the media room. Backstage, there were more African-American reporters in the press corps than we had ever seen. Most were from outlets we had never heard of, or had ever attended an Academy Awards.

From the minute the issue became a controversy, the Academy was very self-conscious and that was evident from what we saw last night. They bent over backwards to admit there was a problem. They took blame for it, saying collectively, “Yes, there is a problem and we plan to do something about it. We are going to change things.”

Eddie Redmayne and Cheryl Boone Isaacs

Indeed, President of the Academy Board of Governors, Cheryl Boone Isaacs, said, “…there’s a brand new world coming…”  alluding to their four-year plan to double the minorities in the voting members contingency and the Board of Governors.

Oscar-winner Eddie Redmayne, and Academy President, Cheryl Boone Isaacs, on the red carpet.
The telecast took shots at themselves during the telecast. Some of the nominated films for Best Picture were altered via CGI to insert black actors into the films’ lead roles. In the media room, there were laughs, but after a while their was a backlash and complaints that the Academy was too over the top, where it was actually making fun of the controversy. Ah, sometimes there is no winning.

As soon as we exhaled, the moans started coming about the political pontifications of the show:

Kerry Washington and Henry Cavill backstage.

Best Costume Design winner Jenny Beavan championed for environmental water issues during her acceptance speech. “I’ve been thinking about this a lot, but actually it could be horribly prophetic, Mad Max, if we’re not kinder to each other, and if we don’t stop polluting our atmosphere, so you know, it could happen.”

Adam McKay, winner for Best Adapted Screenplay for The Big Short at the took the opportunity to warn voters of candidates who take money from questionable places, including “weirdo billionaires,” during his acceptance speech. His movie, a financial dramedy that warns against big banks and corrupt financial systems. McKay continued, “Most of all, if you don’t want big money to control government, don’t vote for candidates that take money from big banks, oil or weirdo billionaires: Stop!”

Even Leonardo DiCaprio jumped on his soapbox to discuss global warming.

Backstage McKay was asked if  he had someone in mind during his speech and he replied, “No, I was speaking about both parties.” He elaborated in detail about the big corporations, the banks and the problems with America to the point where the press covering it tuned out to the point where they were murmuring about their wishes that people would go back to just thanking their agents and their families.

(Let’s face it, reporters are complainers at heart.)

One of the fun skits of the night turned out to be the Girl Scout fundraising. Rock spun a nice storyline where his daughters are always finishing second to another parent’s troop. To make up for that, he asked to millionaires in the audience to pony up and help the girls sell more cookies. And sell they did, to the tune of $65,000 plus raised.

$65k to the Girl Scouts!

But backstage there were more under-the-breath whispers asking, “where’s Hispanic Girl Scouts, or the Asian troop? We have the African-American girl scouts out there, so where are rest of the ethnic groups.” In effect from there, it was a collective griping session about what kind of diversity was need. The claws were out on the press corps looking for anything to poke holes into the efforts of healing. So in case you missed it, there is no winning in the press room.

Sam Smith’s grossly inaccurate Oscars acceptance speech (for Best Original Song) produced a profanity-laced tirade that was directed loudly and inward towards himself as the press corps called him out. Many scurried to the buffet served by Wolfgang Puck.

If you found the time, the food in the press room is Beverly Hills chic; and that’s an understatement. On the menu: spring rolls, assorted sandwiches with artisan bread and pretzel rolls, pesto bow-tie pasta, shrimp cocktail, rigatoni, with marinara sauce, beef and chicken empanadas, grilled chicken skewers rolled in sesame seeds, beff skewers, assorted meats including peperoni, capicola, mortadella, and salami, cheeses, assorted nuts, dried fruits, and a dessert table with four different cakes, cookies, and fresh fruit.

There was Oscar-shaped salmon with caviar at the Governor’s Ball.

Hey, where’s Jada? Protests outside the Oscars.

The post Insider: The Oscars appeared first on Media Guy Struggles.

Yes, indeed I am at the newly named Microsoft Theatre (formerly the Nokia Theatre) in Downtown Los Angeles at the Primetime Emmy Awards. Before I talk about the triple digit heat on the red carpet, I must declare that I really want to party with three women:

Click here to watch the commercial.

While I was backstage eyeing up one of those golden statues, the biggest highlight came Apple Music as they premiered they new spot featuring Taraji P. Henson and Kerry Washington hanging with Mary J. Blige at her crib fantasizing about mix tapes and doing air drums to Phil Collins’ “In The Air Tonight”. I mean, really! This is everyman’s dream, isn’t it? (Incidentally, this also counts as the winner of my regular feature, “AD OF THE WEEK/MONTH/WHATEVER“.)

Back to the heat…the way you heard celebrities talking about the scorching City of Angels heat, you might have thought they were preparing to join Lawrence of Arabia in the Arab Revolt. There was a lot of moaning about the heat and, I think, Mario Lopez lost 42 ounces of water surrounding all those muscles:

I wasn’t too far from E! News’s Giuliana Rancic and every time she stopped one of the nominees they moaned about how they were making the intolerable expedition from their air-conditioned limousines to the air-conditioned Microsoft Theater without needing an IV for their dehydration. I bet most were secretly wishing they were in Celine Dion’s old Caesars Palace digs with her special climate control system while their tuxedos and Haute Couture melted on the red carpet. Ah, the struggle!

Amish Kitteridge starrring Frances McDormand

The fashion was interesting to say the least. Leading the best dressed were Taraji P. Henson from Empire, Jaimie Alexander from NBC’s Blindspot (see gallery below), and me! There was the Heidi Klum yellow canary disaster too. But my pick for the “I Didn’t Think the Emmys Were This Weekend So I Didn’t Shop for a Dress” goes to Academy Award- (and now) Emmy Award-winning actress Frances McDormand who showed up looking like she rode all week from the Amish farm in preparation. Yikes!

Viola preached! But not everyone was screaming “TELL IT” Meryl Streep-style over Viola’s powerful speech.

Nancy Lee Grahn, known as Alexis Davis to people who watch General Hospital and known as “WHO?!” to people who don’t, was not into what Viola said. Nancy Lee basically screamed “ALLACTRESSLIVESMATTER” on Twitter and went on and on and on.

Mikkos Cassadine needs to come and get his daughter, because Nancy Lee said that Viola is a member of the TV elite who has never faced discrimination and that the Emmy stage wasn’t the place to bring up racial issues in Hollywood. Nancy Lee deleted a few of her tweets, but something called “shift + command + 4″ exists and so Buzzfeed and others screen shot her “greatest hits.”

I don’t know why everyone hated on Nancy Lee. I mean, I, for one, learned something from her rant. The African American history professor tweeted (and deleted) this:

“Heard it and went oh lord ur a great actress just accept it and I heard Harriet Tubman and I thought Its a fucking emmy for gods sake. She wasn’t digging thru a tunnel.”

Nancy Lee is educating us all, because I did not know that the Underground Railroad was an actual tunnel dug by Harriet Tubman.

After Nancy Lee got dragged back and forth and continued to defend herself by saying that she can’t believe she’s getting so much hate, she took back everything she said and farted up this apology:

“I apologize for my earlier tweets and now realize I need to check my own privilege. My intention was not to take this historic and important moment from Viola Davis or other women of color but I realize that my intention doesn’t matter here because that is what I ended up doing. I learned a lot tonight and I admit that there are still some things I don’t understand but I am trying to and will let this be a learning experience for me.”

Translation: “My agent and the executives at ABC made me type this.”


My reaction: Let people have their time and speak with the people they want to speak about. Maybe Nancy Lee needs to read The Secret and gain the power of being positive!

January Jones is no Better Draper…wowza!

The Media Guy’s Instagram Feed!

The Most Beautiful Couple Award: Sophia Vergara and What’s-His-Name

Congrats! That was an amazing speech.

First Coca-Cola and now an Emmy…what an exit for Don Draper.

Matt LeBlanc is still one cool cat.

Maybe it was Jaimie Alexander who brought the heat to the red carpet.

Heidi…Versace…Really?!

Taraji…I’ll make you a mixtape any day!

Julia Louis-Dreyfus: The most successful comedienne of all time.

The post Melting on the Emmys Red Carpet appeared first on Media Guy Struggles.

Reason no. 1,341 why I love writing the annual “Oscars Backstage” column: My agent.

I need a slightly smaller version of this one!

Last year, I reported on my tear-inducing plea to my agent imploring him to draw a map for me so I could be in a position to bring him that wondrous eight-pound statuette. After his two-word reply (“I will”), I was buoyed by the prospects. Multiple scripts in hand and a fully rehearsed Oscars acceptance speech in hand has gotten me nothing.

And yet …

I keep dreaming. We keep dreaming. We take the words of Best Adapted Screenplay winner Graham Moore (“The Imitation Game”) when he says on stage, “Stay weird, stay different. And then when it’s your turn and you’re standing on this stage, please pass the same message to the next person who comes along.”

Powerful stuff. I almost cried. Again, here’s to dreaming.

The red carpet was something to behold once again…rainy with a frenzy of Haute Couture and modified tuxedos. I had an optimum spot next to Rolling Stone magazine, mostly because I overheard so much. Like how shocked Michael Keaton said he was to be nominated for his first Oscar and how Julianne Moore said her her two dogs are “more work than my kids.” John Travolta was all hands on the red carpet and onstage (nearly groping Idina Menzel Alas, there was no Jennifer Lawrence or Angelina Jolie to stalk, er, photograph. That, however, did not derail this Media Guy. I found a new favorite: Marion Cotillard.

She has an amazing allure and even giggled when I said “take me home with you to France.” Made me root for her all night, but who can argue with the performance of Julianne Moore in “Still Alice” and that incredibly infectious laugh. It pays to be Alec Baldwin’s wife onscreen these days…

And, although the Neil Patrick Harris hosted show dropped 14% over last year’s Ellen DeGeneres selfie-fest, it was still watched by 34.6 million between 8:30 and 11 PM (early results). That’s why advertisers spend a $1.95 million for a thirty second commercial on Oscars telecast.

As they say, a picture is worth a thousand words, so here’s The Media Guy’s journey and perspective backstage at the 87th Academy Awards® with a handful pictures and about 1,500 words including interview excerpts and intimate insights.

BACKSTAGE INTERVIEW WITH: 
Julianne Moore, “Still Alice”
Performance by an Actress in a Leading Role

Finally with Uncle Oscar. Julianne brings home the gold (Aaron Poole / ©A.M.P.A.S.)

Q.    I just want to say that you are the most patient actress in town.  Five times nominated and you finally won it.  And I want to know, do you think they played a role in the way in that you won this for a film that meant so much to you?

A.    Oh, I don’t know.  You know, I mean, I believe in ‑‑ I believe in hard work, actually, you know. And I think ‑‑ and I like stories about ‑‑ mostly I like stories about people.  I like stories about real people and real relationships and real families, and that’s what I respond to.  And this movie had all of those things in it.  It was about a, you know, it’s about a real issue and relationships and who we love and what we value.  And so that’s important to me too.  But I mean, I think just, at the end of the day, it’s the work.  You know, it’s being able to do work that I love that’s been so rewarding.  And this is just amazing.

Q.    We’re very eager to see more films that are adult drama, serious films.  And I’m wondering, films like yours, BIRDMAN, do you think that will have some sort of impact in an industry that is driven by these, you know, huge special effects, that whole type of movies?

A.    I hope it does.  I think there’s an audience for movies like this.  I go to the movies because, like I said, I like to see complicated, interesting stories about people and relationships, you know.  So I think whenever there’s success with films like this, then they kind of ‑‑ even people think about them more.  I don’t know.  You know, you never know.  You know, at the end of the day, Hollywood is also a business, so I think it depends on how many people buy tickets.

What’s it like backstage? Watch it here:

BACKSTAGE INTERVIEW WITH: 
Eddie Redmayne, “The Theory of Everything”
Performance by an Actor in a Leading Role

Q.    Eddie, what are you going to be saying to Stephen Hawking following this win?  And are you going to be taking the statuette to show him as well?

A.    I think I will certainly go to Cambridge at some point to see Stephen, Jane, Jonathan, and the Hawking children.  They have been so kind to us the whole way through this process.  And it’s ‑‑ I’m one of those people when I watch a film, I believe what I see on screen.  And so our responsibility to tell their story truthfully and authentically was…we felt it.  And so, their support throughout has been amazing.  Any excuse to go back to Cambridge, it’s such a beautiful place.  So, yeah, I will definitely go and show it.

Redmayne is REALLY happy to be an Oscar winner. (Aaron Poole / ©A.M.P.A.S.)

Q.    First of all, very well deserved for an outstanding performance.  Can you express your feelings when you went up on stage and received the Oscar?  And how will you celebrate this amazing day?

A.    I didn’t hear you say the word.  That’s so weird.  How did I feel?  How did I feel?  I don’t ‑‑ I mean, the fact that it was Cate Blanchett giving it, I mean I did a film called THE GOLDEN AGE ‑‑ ELIZABETH:  THE GOLDEN AGE with Cate and it’s one of the first films I did, and I just think she’s such an exceptional actor.  And so I was recovering from that excitement of seeing her, and then just trying to bury all this frenzy of nerves and white noise and trying to speak articulately and, of course, you then forget everything but it just felt like a euphoria really, an extraordinary euphoria.  It’s something I will not forget in a hurry.

Q.    I wanted to ask you about the pressures of playing someone that is still alive because obviously there’s a lot of bio pics, and there obviously is a huge weight like for Alan Turing and THE IMITATION GAME.  But with this, that person is going to watch that movie.  How did you feel about it and how did that change your approach to it?

A.    I don’t know if it changed my approach, but what it did was there were various things of this job.  I ‑‑ in preparation, I met people living with ALS, they let me into their lives, they were incredibly kind to me.  It was essential to me that I was authentic to what that experience is like.  Then it’s about the science, getting the science right, you know, and then of course the main thing about Stephen, Jane, Jonathan and the kids is being true to them and then also making an entertaining film.  There were basically so many things that like terrified me about this film, but of course it galvanizes you, it makes you ‑‑ when the stakes are that high, it does force you to work harder and so that’s what I tried to do.  And yeah, it’s been amazing.

BACKSTAGE INTERVIEW WITH: 
J.K. Simmons, “Whiplash”
Performance by an Actor in a Supporting Role

J.K. Simmons says call your mom and dad, but never text.

Q.    With all of your long credits in stage, screen, television, T.V. commercials, what does this Oscar win mean to you?

A.    Well, maybe more people saw me tonight than see me in the commercials for the first time, because I know those are seen by more people than the films.  This is the, you know, the cherry on top of this extraordinary experience that WHIPLASH has been for me.

Q.    I got the feeling that you wanted to talk a little more about when you said, “Call your mom.  Call your dad.”  It felt like you wanted to go somewhere with that.

A.    I got out most of what I wanted to, and I was somewhat taken aback by the response from people that I don’t know, honestly.  So, but no, I said most of what I wanted to say.  I never go up there scripted, really.  Most of it came out.

Q.    You know, this has been quite a triumphant time, and we always talk about, especially actors, how do you cope with the down times how, do you cope with the lean times.  I’m always fascinated with how do you cope with success?  How have these weeks added up, looking back?  Thrilled?  Scared?  What?

A.    Yeah, it’s definitely more tiring than the lean times.  The lean times, you get plenty of sleep, and you are not flying around everywhere.  So there is that.  And for me, the lean times were a wonderful and beautiful part of my life, you know.  I was, you know, struggling, quote/unquote, for many years doing regional theatre for not much money all over the country and doing odd jobs in between, but I didn’t have a wife and kids to support.  So I had no responsibilities other than feeding myself and trying to be a decent human being and trying to get better at what I was wanting to do.  And I look back on those times with great fondness.

BACKSTAGE INTERVIEW WITH: 
Patricia Arquette, “Boyhood”
Performance by an Actress in a Supporting Role

Jared Leto congratulates Arquette. (Monica Almeida/The New York Times)

Q.    What was the biggest challenge in this project for you?

A.    The weird thing is there was no challenge, in a weird way.  I was just amazed that this filmmaker, Richard Linklater, wanted to make a movie about everyday people, people we don’t usually see in movies, and that he could get financing because it is a film business after all, and you can’t have a contract because Olivia de Havilland fought for us not to be in indentured servitude. So we have a seven‑year contract rule in America.  So, this little boy could have decided at seven years he wanted to walk away.  And even though it was a small budget movie, $2.8 million, he could have walked away in the middle of our movie.  To sort of find a financier to give us money, even though it was just $2.8 million.  That’s a big investment to make with no safety net.  And I was actually kind of blown away that the Producers Guild didn’t honor that because that really was such a brave move.

Q.    What do you think, given the comments you made tonight about someone like Amy Pascal, the former Sony Pictures head who said, effectively, that women should be better negotiators, that it’s not up to her to pay women more when she has effectively underpaid women.

A.    Again, I think we need federal laws that are comprehensive; in different states, they have altogether thrown out the Fairness Voting Act.  People think we have equal rights; we won’t until we pass a Constitutional amendment in the United States of America where we pass the ERA once and for all and women have equal rights in America we won’t have anything changed.  This morning, you know, there’s these things, the Mani Cam and so on and what are you wearing.  I’m wearing a dress my best friend designed.  We have been best friends since we were 7 and 8 years old.  I think she was the first person who ever said to me, what do you want to be when we grow up?  We were standing next to her Barbie Dream House.  I made fun of her because she played with a Barbie and my mom wouldn’t let us have Barbies.  She said, what do you want to be?  And I said I want to be an actor. What do you want to be?  She said, I want to be in fashion.  And she became a great fashion designer and she designed my gown, so it’s like wearing love.  And we started an organization, GiveLove.org. And instead of getting a manicure, which I was supposed to do this morning for that dreaded Mani Cam, instead, I ended up trying to pull pictures because we started a sweepstakes this morning for our charity to do ecological sanitation in the world.  Now when I saw Harry Belafonte’s picture up there, I remembered my mom.  She was an Equal Rights activist, she worked for civil rights.  And this is who I am.  This is the whole who I am.  I love my business, I love acting and I love being a human being on earth and I want to help.  I never saw this moment in me winning an Academy Award.  I never even thought I would be nominated and I was okay with that.  But you know what I did see?  I saw many things that have come true in my life, and one of them was helping thousands and thousands of people, and I have, and I will, and I will help millions of people.  Thank you.

BACKSTAGE INTERVIEW WITH: 
Alejandro G. Iñárritu “Birdman or The Unexpected Virtue of Ignorance”
Directing

The Big Winner of the Night.

Q.    Congratulations on your win.  You joked on stage that you were wearing the BIRDMAN tighty‑whities.  Are you actually wearing them?

A.    We should be in a more intimate context to show you, which I don’t think will happen.

Q.    Alejandro, tell me, from having this wild, artistic idea and seeing it all the way through to experience three Oscars with you, what’s the lesson of that for you?  What does that tell you about your ambitions?

A.    About what, sorry?

Q.    To take ‑‑ just like following this dream, how does the trophy sort of validate what you are doing?

A.    You know, actually, I think ‑‑ it’s a good question because I haven’t figured out why I did what I did in this film, why I took those chances.  I think it’s when you lose fear.  I think fear is an incredible ‑‑ fear is the condom of life, you know.  It doesn’t allow you to enjoy things, so certainly when you fucking get the condom out then you say, okay, probably get it or not, but at least that’s what it’s ‑‑ so I put it out.  So I did it without and this is the result.  It was real.  It was making love for sure.

Past Oscars Columns:
2014 – 2013 – 2012

NOTES ON THE SCORECARD:


Who wore it better…?

Monica…

…or Lady Gaga?

He’s got chills and they are a multiplying!:

John Travolta continues his Oscars onslaught. This time, Scarlett Johansson is the victim.

Finally, my top six favorites from the red carpet:

5) Anna Kendrick in her raspberry heaven of a dress…

4) The fedora’ed J.K. Simmons…

3) The spunk and fun of Reese Witherspoon…

2) Capt. Red Carpet: Adam Levine…

And my #1 favorite: Marion Cotillard:

The post Backstage at the Oscars: 2015 appeared first on Media Guy Struggles.