From the New York Times: “…the city has a centuries-old tradition of solo exploration, personified by the flâneur, or stroller. Flânerie is, in its purest form, a goal-less pursuit, though for some it evolved into a purposeful art: Walking and observing became a method of understanding a city, an age. Baudelaire described the flâneur as a passionate spectator, one who was fond of ‘botanizing on the asphalt,’ as the essayist Walter Benjamin would later put it.”

Okay, so where am I?

Whelp, I’m not in Paris, but in a few paragraphs we will be transported there…hang tight.

Actually, I am still home in the beautiful confines of my Encino California Compound. Other that to get my mail, bread, and fresh fruit, I have been sequestered here riding out the Coronavirus since the Los Angeles-mandated prohibition started two weeks ago on my birthday.

In addition to missing out on a pretty stellar Disneyland birthday, I had two Japanese commercials wiped out because of the travel ban (postponed, not cancelled) and now I am having NBA and NHL withdrawals along with some severe cabin fever. Thank goodness— along with my family, friends and colleagues—I am safe.

I was planning to meet Margrét, My New Favorite Amazon Model, because the last time I spoke with her she was at the Baghdad Café lamenting bout trying to due her clothesless craft amongst families and kids roaming around the tourist trap over two years ago. But with all of the city shutdowns, we had to cancel and move to a video conference to catchup. Ah, the new world of “Stay At Home” work and friendships.

So just to catch you up—or you can scroll all the way down to end and read the previous columns— Margrét is a nude model who travels the world taking her clothes off in the pursuit of her art. It’s never going to make her rich, but it makes her happy and a happy Margrét makes the world a better place…

Media Guy: You usually stick close to the Western USA, but is it true you are stuck outside the country?

Margrét, My New Favorite Amazon Model: I would say luckily I was in France when all of the Coronavirus lockdows and travel bans went into effect, but Paris is a drag without all of the cuisine and museums and sights.But I’m making the best of it trying to go all Hemingway with my introspective writing at abandoned city sites soaking in the essence of the land.

MG: What were you up to before for the country ground to a halt?

MMNFAM: I was doing my thing with this self-photography exhibition on the French Countryside when, well, imagine four dudes breaking down 300 meters from my camera lens in their big Mercedes hauler. Now imagine then not knowing how to fix their hauler and I roll up on them to help. Except I wasn’t wearing more than a Nikon lens cover! I bet they never expected help to come in the form of an intrepid nude model.

MG: But I imagine that’s exactly what happened, right? And how did you pull that off?

MMNFAM: Imagine the look on these French bros’ faces when a second nude model, my roommate, rolled up in an Aston Martin with a back seat full of tools. I’m telling you, it was like MacGyver met French Baywatch. The only thing mission was were our red one-piece swimsuits so that we could have run over in slow motion. I’m guessing they were fairly pleased with two mostly nude chicks fixing their timing belts while the fought to keep their jaws from dropping.

MG: I’ve often wondered about the fine line you’re walking when it comes to nude modeling because some of the readers say you are reinforcing sexist stereotypes of scantily clad women (or unclad) women on film.

MMNFAM: It’s what I battle with on a regular basis with my modeling, because what is considered arty can be pretty hokey and sexist. But I figure God blessed me with a certain look and I get to control my destiny with what I charge and the situations I ultimately wind up in. At the end of the day, it’s a more honest living that some of the mucky-mucks in banking or on Wall Street.

MG: You’re doing well these days?

MMNFAM: My modeling affords me an income to support my home and my adventures. I stay off social media to avoid stalkers and weirdos and in the last five years I have shot in 31 countries. It’s a great way to make a living,

MG: What has shaped up as your specialty as of late?

MMNFAM: My specialty is artistic nudes, when translated to the layman means non-erotic nudes set in contrast against the landscapes of the world. Everyone wants this fit brunette against beautiful scenery. I love the work because it gets me outdoors. I don’t have to sit at a desk answering emails all day ad in turn I get to experience the remarkably attractive world that few ever get to see like I do. Modeling gets old pretty quick, I feel like exploring the outdoors doesn’t.

MG: What is it about the outdoors that has kept you employed all of these years?

MMNFAM: Guys will forever have a curiously mysterious hard-on for a curvy, firm backside in a ruptured landscape. I do a lot of posing in fantasy landscapes—mountains, lakes, log cabins—but the ones that garner the biggest paydays come from the most dilapidated settings like old warehouses, crumbling buildings, salt mines, abandoned parks, civil wars zones. There must be something about rotting cities that is some sort of aphrodisiac that appeals to many a photographer. The contrast of luscious nubile skin against corroded timeworn building carcasses is an age-old fantasy that will probably never go out of style. Like the Birth of Venus painting only set in Chernobyl.

MG: So your quest for post-apocalyptic ruins has taken you on a journey all over the world?

MMNFAM: With a little bit of investigating, you can find some truly extraordinary rubble to photograph and when it comes to ruin nude modeling, the Baltics and Eastern Europe are pretty much the gold standard. It’s like a Disneyland of desolation and tetanus. These areas are some that you’ve only heard about in the deep recesses of the news and now the whole region has essentially been ignored and neglected due to its being left in a state of disrepair after the boys took their weapons and petty differences and went home.

MG: And you’re finding the same in Paris?

MMNFAM: Oh no, much different here. A did a month-long series in and around Paris, fully-clothed doing a full-on Greta Garbo meets Breakfast At Tiffany’s motif. You know, it was easy to surrender in Paris to the moment. The alchemy of everything metamorphosed average activities into pleasurable ones; a stroll in the park, a cappuccino at a sidewalk café…you name it. Here, I dragged the edge of a butter knife across a baguette with a style better suited to gliding a bow across a Stratavarious. And today, with almost nobody around it is still quite the same. I am here on my own. My residence is paid for until July. I worked enough not to book another job until August and I am sponging in the city in my own post-apocalyptic illusion. In a city that has been honing splendor since the reign of Napoleon III, there are immeasurable sensual minutiae—patterns, touches, tints, hums—that can be mitigated, even overlooked, when babbling with someone or following a locked in schedule. Alone. one becomes deeply aware of the resonating clack of high heels in a park walkway; the patina of the gas lamps that light the city, the effervescence of the blue sky on a cloudless day; and how the empty wine bottles laid gently next to the recycling bins are the epitome of your neighbor’s good times.
There is a Paris that acutely repays the individual traveler.

MG: So all of this adds up to another fantastic chapter in the Book of Margrét, My New Favorite Amazon Model?

MMNFAM: It’s a fantastic book I am living. I hope it never ends. Au revior!

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