Get in touch with your inner 19th century French side and think of it this way:

• The Bourgeoisie are those who own the land, the factories, the resources, the materials, and who employ the proletariat. However, they are disconnected from the production process while gaining from the output of the proletariat. 
• The Petite Bourgeoisie are the people who may employ the labor of others, but are also working themselves. They may be shopkeepers or professionals. They may have resources, but do not profit exclusively from the labor of others.
• The Proletariat is the working class, people who sell their labor. 

So where am I? Tonight I’ll be at the Baltimore Orioles-Kansas City Royals American League Championship Opener for one of the Big Four networks dining on some delectable crab cakes in the press box (**** – See Andrew Zimmerman’s recipe at the bottom for some homemade treats). Yes, good copy editors are hard to find and sometime I get a plum assignment or two. Yet, I digress.

Press Box Crab Cakes – Yum!

This morning I am at ComicCon in the land were a Twitter tweet can stop a union run commercial shoot, New York City. Yes, the Big Apple knows how to cater the Bourgeoisie and the common nerd. Regulars to the Media Struggles know my appreciation of Comics–to the Batman Media Conglomerate, to getting a College Degree to International Read A Comic in Public Day–this under appreciated artform is the backbone of American entertainment. I caught up with Bryan Menegus, a noted expert and writer in the field and he said, “While comics may have started as disposable entertainment, it’s no secret that many books can fetch a hefty sum based on their rarity, CGC grade*, illustrator, and/or characters that may have first appeared in them.”

The Proletariat has become The Bourgeoisie it seems. So without further delay, here are some of the most expensive items and what made them so pricy:

All twelve original Star Wars figures from Palitoy.

“They’re the first 12 [figures] that came out back in the 1970s and these were done by Palitoy Corp. which was over in England. They weren’t available in the United States and the Palitoy Cards — the packaging from Palitoy — is extremely valuable right now.”

The comics that gave is the Ninja Turtles

“Gobbledygook is very sought-after because it’s the book that Kevin Eastman and Peter Laird put together to get the funding so they could produce Teenage Mutant Ninja Turtles #1. So they did 50 of them… and distributed [them] within the Massachusetts area, where the guys were from. Once they were gone, they were gone. Up until the Internet, they were super hard to find. Some people classify it as the first appearance of the Turtles, so it sort of depends on your feeling on that.”

Yes, that’s a swastika – 1941 was a strange time for comics.

“What makes this book popular is that it’s the first Archie. Most people don’t realize that Archie has been around for a very long time. Not only is this the first Archie, but it’s extremely rare. There’s only 10 restored copies and 10 unrestored copies ever graded by the CGC, so that’s 20. I’m sure there’s more than 20 people on planet Earth that would like to have the first appearance of Archie.”

Have you heard of Dr. Strange? If not you soon will…

“It’s the first appearance of Doctor Strange and Marvel is doing a new movie, so that’s increased the price. Doctor Strange basically doubled in price in the last year since the movie announcement.”

Too rich for your blood? Keep on truckin’…

“Robert Crumb is probably the greatest living illustrator, internationally. He’s in museum holdings like the Museum of Modern Art, he’s represented by the world’s most important gallerist, David Zwirner. He’s an underground comics legend and godfather. One of the most important American artists.”

VRRROOOM! Steve Ditko’s hand touched that piece of paper – I may never wash again!

“The main thing is because Steve Ditko drew it. Steve Ditko is the first person that drew Spider-Man. Pages with Spider-Man on it by Steve Ditko just go for incredible amounts of money. Like at auction, a page from #29 with no Scorpion on it, just Spider-Man swinging, went for $125,000 like three years ago. It’s just supply and demand for this stuff.”

The content and number of an issue can be as important as the artist who drew it.

“Well it’s Spider-Man #300, which is one of the most famous comic issues of the modern era. It’s from Todd McFarlane’s tenth year on Spider-Man, which was a huge fan favorite and a huge top-seller. We sold a different McFarlane cover for around $650,000 a couple years ago. There’s really intense interest in his art. CEOs of companies, doctors, lawyers, people in the financial field, a lot of people in the entertainment industry. Movie directors and such, you know, collect comics.”

Holy lifetime of debt, Batman!

“This is Detective Comics #27, the highest-graded copy in existence. It’s worth this much because this is the origin and first appearance of Batman. It debuted in 1939 and it’s also the first appearance of Commissioner Gordon. Just to give you a little bit of a background, the first Batman — which is Detective #27 — and the first Superman — which is Action Comics #1 — are considered holy grails of comic books. The reason this is only $550,000 is that it is a restored copy. That’s the reason why it’s got a purple label on it. But it is the highest graded copy in existence.”

Proud (and dapper) owner of the most expensive comic book in the world

“Action Comics #1 is so valuable because it is the first appearance of Superman, and Superman is the first superhero. So without Superman there’d be no Batman, there’d be no Spider-Man, X-Men, Fantastic Four, Flash, Green Lantern — none of them. Superman is the character that started it all. He is the archetype from which all other superheroes are derived. There are less than a hundred copies known to exist in the world, and very few of them in unrestored condition. This copy happens to be the highest-graded copy — in 9.0 condition — with white pages. We just purchased it for $3.2 million and we’re extremely excited about it. We feel this book has a lot of upside potential… we will be selling this and making a profit. I can guarantee that. We’re not in a position where we desperately need to sell it. If we were we would not have bought it. But it’d go for north of $3.2 million, obviously.”

****Baltimore-Style Crab Cakes

CONTRIBUTED BY ANDREW ZIMMERN
ACTIVE: 25 MIN
TOTAL TIME: 1 HR 25 MIN
SERVINGS: 4

This is the best crab cake recipe you will ever find. If you don’t overmix, and don’t pack your mounds too tightly, you will experience pure, unadulterated crab cake heaven. Seriously, they are that good. Follow the steps to the letter and you will be making these cakes every opportunity you have. For years I searched for a great crab cake recipe. I wanted one that didn’t have a lot of filler, had no minced red pepper, no parsley—none of the usual crap that chefs typically ruin a good crab cake with. There is, in fact, a right and a wrong way to cook some foods, and putting a lot of junk in a crab cake is one of the biggest transgressions I find in American cookery. Anyway, one night about 20 years ago, my best friend’s wife (who is from Baltimore) shared her mother’s secret “country club” recipe for crab cakes. This is it, verbatim. I make these in double batches and put the leftovers in the fridge. If you haven’t eaten a cold crab cake on toast with sliced tomato and Russian dressing, then you are really missing out.

I also make these as a master batch: Instead of just eight, I make 24 to 26 mini donut-hole-size crab cakes for parties.

Team these with homemade slaw, a warm potato salad and some fruit salad, and watch your family go to it like a swarm of locusts. Guaranteed.

INGREDIENTS

1/2 cup mayonnaise
1 large egg, beaten
1 tablespoon Dijon mustard
1 tablespoon Worcestershire sauce
1/2 teaspoon hot sauce
1 pound jumbo lump crab meat, picked over
20 saltine crackers, finely crushed
1/4 cup canola oil
Lemon wedges, for serving

PREP

1. In a small bowl, whisk the mayonnaise with the egg, mustard, Worcestershire sauce and hot sauce until smooth.

2. In a medium bowl, lightly toss the crabmeat with the cracker crumbs. Gently fold in the mayonnaise mixture. Cover and refrigerate for at least 1 hour.

3. Scoop the crab mixture into eight 1/3-cup mounds; lightly pack into 8 patties, about 1 1/2 inches thick. In a large skillet, heat the oil until shimmering. Add the crab cakes and cook over moderately high heat until deeply golden and heated through, about 3 minutes per side. Transfer the crab cakes to plates and serve with lemon wedges.

On the field, prepping for game one of the ALCS…

Eutaw Street marker of Rafael Palmeiro’s 413′ homer in 1998.

Press box – replete with bad phones!

The Babe Ruth statue is just short of breathtaking.

**Restoration can be accomplished in a number of ways including conservation (removal of dirt, debris, or stains) leaf casting (which fills in missing paper that may have rotted away) and color touch (recoloring worn pages). The process can be quite expensive, and restored comics are usually worth less than a blue labelled version of the same book.  


**ComicCon picture credits: Bryan Menegus 

The post Spending $4 Million+ at ComicCon in 9 Easy Purchases appeared first on Media Guy Struggles.

Ben Affleck in the upcoming Superman vs. Batman Flick

after his first appearance, the caped crusader joined Superman at the New York World’s Fair where action figures were given away as carnival prizes. Today, the iconic bat-logo is liberally applied to an endless array of merchandise, yet the most successful tie-ins are often those that provide the experience of being Batman.

The post HOLY MEDIA CONGLOMERATE! appeared first on Media Guy Struggles.

Uslan, who wrote about his
comic obsession and its positive effect on his life in his memoir, The Boy Who Loved Batman says it’s a long overdue recognition
for an industry that was derided and vilified for decades.

“This will have a tremendously
positive impact on the industry, the fans, the artists and writers,” he says.
“With the recognition by academia of comic books as expressions of fine art,
we’ll see more talented people going into the industry, and they will continue
to innovate, refine and redefine this art form and the art of graphic
story-telling.”


The university chose Uslan
for the honor because of his decades of work establishing the genre as an
important element of American art and culture, said Monmouth President Paul G.
Gaffney II.


“We are proud to award
Michael Uslan an honorary degree in the ‘fine art of comic books,’ ” he said.
“Through his work and teaching, he has shown the world that comics are a
legitimate art form and uniquely American.”


Uslan, who taught the world’s
first accredited college course in comics at Indiana University, Bloomington,
Ind., in 1971, also wrote the first textbook on comics, “The Comic Book In
America.”  Today, many colleges and universities offer comics courses.


Uslan’s drive to change the
way society views comic books dates to childhood, when he recognized the heroes
he so admired were often portrayed in media as campy characters not to be taken
seriously. As he grew older, he learned the dark history of the American comic
book, which first appeared in 1934.


“After World War II, there
was a spike in juvenile crime. Psychiatrist Fredric Wertham blamed comic books
in his book, ‘Seduction of the Innocent’,” Uslan says, “that led to a 1954 Senate
investigation into comic books and their alleged deleterious effects on
America’s youth, including the notion they caused asthma because comic book
readers stayed indoors to read instead of playing outside in the fresh air.”


“During that period, the
general public viewed comic books as poison. Many parents wouldn’t let their
kids near a comic book. There were comic book burnings,” Uslan says. “From the
1930s to the ‘70s, people in the industry were derided for working in the world
of comics. They were looked down upon by society.”


Meanwhile, artists and
writers – notably Stan Lee, former editor-in-chief of Marvel Comics and
co-creator of iconic heroes such as Spider-Man and the Avengers – were weaving
a modern American mythology, Uslan says.


He points to these reasons
why America is finally now, rightfully, embracing its unique art form.

• Comic books
  are a mirror of American society.
  Sociologically, since the 1930s they’ve been reflecting our changing culture,
  our values, mores, fashions and fads, warts and all, prejudices and biases
  included.

• Comic heroes
  are our modern mythology.
  The only difference between them and the ancient Greek gods is that our
  super-heroes and super-villains today wear Spandex and capes. But like the
  ancient gods, they reinforce values, convey moral lessons and provoke important
  discussions about ethics.

• The explosion
  of blockbuster feature films based on comic books and graphic novels has made
  American comics a global fascination. Uslan’s 1989 “Batman,” directed by Tim Burton, ushered
  in a new dark and serious portrayal of comic book heroes on the big screen. His
  2008 “The Dark Knight” and this year’s “The Dark Knight Rises” opened the door
  to other comic-based blockbusters, from “The X-Men” and “Spider-Man” to “The
  Avengers” and “Iron Man.” These movies are influencing every aspect of culture,
  from video games to fashion trends. By 2013, comic book conventions will be
  bursting on the scene overseas, proving that the characters and stories the
  creators have given us have the power to cross cultures as well as borders.

• Comics have
  earned recognition in the art world. Comic book exhibits have been displayed in the galleries
  of noted art museums from the Smithsonian Institution to the Louvre to the
  Metropolitan Museum of Art to the United Nations.

“Next,” says Uslan, “I’d like
to see creative geniuses from the industry like the venerable Stan Lee
recognized with Kennedy Center Honors for their achievements. What were once
simply comic books are now being translated into the performing arts and it’s a
crime that neither Stan nor any other creator from the field of American comic
books and graphic novels has ever been recognized and honored by that
illustrious group.


“And if it’s a crime, it
means that Batman, Superman, Spider-Man, The Hulk and the rest will be after
them if they don’t make it right.”

The post Comic Books Have Finally Graduated appeared first on Media Guy Struggles.

Hail ye Spiderman, Superman, Batman. Time to dust off your capes and come out and play. Super heroes, and acting like one, have long been a running theme in The Media Guy Struggles. Connecting with your favorite hero just go easier.

I know that few of you realize, but August 28, is the second annual celebration of International Read A Comic in Public Day. So grab your favorite comic or graphic novel and grab a spot in the park with your kids. Some of you are now wondering—perhaps you already Googled—what a graphic novel might be. Graphic novels and collected editions came into vogue following Marvel Comics’ emergence from bankruptcy in the mid-90’s when they shifted focus away from single issues sold in the direct market to these specialty items sold through mass-market bookstores.

While you’re sitting there saying, “Media Guy! Take off those nerdy Clark Kent goggles and see the forest among the trees…comic books are for booger-eaters living at mom’s house.”

The Blade and X-Men series showed that smaller comic properties could open films and sell DVDs. They revived the superhero film genre almost instantly opening the door for Spider-Man’s $800 million dollar payday.

Recently, The Walt Disney Company proved just how far comics have come with their $4 billion acquisition of Marvel Comics and all of their intellectual property. Even Donald Trump would agree that comics aren’t nerdy any longer.

On a side note, the thing about this media I find ironic is the term “book” in the “comic book.” When we speak of books, we imagine verbose narratives with grand words and deep Lawrence Durrell-like thinking. It’s about the words, right? Comic books are just the opposite. Their narratives are all about the pictures telling the story with minimal words. They are the ultimate “a picture is worth a thousand words” medium. Words aren’t completely dismissed, but a great deal of the word’s value rests in the typography and unique tradition hand-lettering.

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